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Pomegranate Tree

by Aphir

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1.
even in paradise, here I go chasing anxieties, trusting ghosts. towers burn, the waves rise when you get close: I’ve been warned but I don’t want this to be over and neither do you stand between me and the peace I claim to want. I don’t know much, I know I still don’t know myself at all. you owe me nothing but this final compliment: you can’t show me a way to hurt you I haven’t already thought.
2.
the faintest whisper of neglect passed between you two you soldiered on, holding your breath: an uneventful ruin. then you asked me to fill that place but I’m burning up in space - can’t take the pressure you have placed on me. molten I can’t be held, too bright to be seen. you say you know me well you only know a dream love you if I could but what does that word mean? you say you know me well you only know a dream. no pedestal set up this time: you’re trying to keep me close. I have watched you losing sight of the life you chose and you want me to fill that place, but I’m burning up in space can’t take the pressure you have placed on me
3.
Advice 03:36
too many hours of mine are spoiled by the thought: I would need you less if I liked myself more - all the flowers furl out and press their pink mouths to my ears: advice I can’t quite hear. set up when I was young, before the eclipse I swallowed holy blood and holy submission, I knelt down: will I be absolved if I give up the loves that make me whole? the breaking waves gave this advice to me: surrender and forgive! I don’t know how to do that yet, I don’t know how to live. the waning moon gave this advice to me: surrender and forgive! I don’t know how to do that yet, I don’t know how to live. the red-gold leaves gave this advice to me: surrender and forgive! I don’t know how to do that yet, I don’t know how to live.
4.
Rhoda 03:26
I have burned my bridges - I would rather swim when you shut me out, I had to turn within I like to feel the water lap against my skin I see you waving down I’ll know the waves so well before I drown I made you a promise that I’d rather break your confidence in me was more than i could take you were the leaking vessel where i poured my faith but all that’s dried up now till you find some new sorrow I can drown why is time so heavy and so sweet? falling through life, faceless, never found my feet why is time so heavy and so sweet? falling through life, faceless, never found my feet I have burned my bridges, I would rather swim I felt so left out, I had to turn within. I lived to feel the water lap against my skin and see you waving down - I’ll know the waves so well before I drown.
5.
Good Enough 03:51
thought I knew what I was doing holding my breath till you loved me holding my breath till I’m something to you. I don’t have a dream of excess not the one you need to impress I just wanna sit here talking to you. and I think you should let me in your head I’m good enough, I’ve been through hell and out again. never wanna sow dissent here, my best hours on earth are spent here: when you knock off work come out and meet me. breaking up dry leaves, I’m nervous knowing too well you’re worth so much, trying to reconcile the way you see me. and I think you should let me in your head we’re good now, we’ve been through hell and out again. love is giving without taking love is giving up I’ll keep giving without taking till I’m good enough.
6.
clawed the rings back on my fingers riding on the shuttle bus down into the rainy city. don’t know what to make of us: you hold the world in magic, hazing out the mundane and the harsh. your earnest words my only kindred - I would never be apart from you if I lived out my art. but I have lost the books of number holding matter in its place. half a spring-queen, half held under worlds half-lived in, heart half-faced. now I see the rain is clearing roll the window, bushfire smoke pours in: all the ash and cinders smell like your place where I interred my hopes. I won’t recreate that nightmare where I stand out in the night tongues of flame beneath the skyline but I am safe up in the heights and you, sweet instrument, I play out, preoccupied until the end. instead I leave you be and step down: begin the work to make amends.
7.
Waking 02:55
I dreamed I went to stay at yours I’ve never seen it in real life before. your housemate met me, she was kind, made up a mattress on the floor. you said, “I’ll take you for a drive don’t need to say it, don’t need to talk.” well, you can take me anywhere, just please don’t hurt me anymore. my heaven’s knowing you’re okay, you’ll see those promised better days: you have a life outside the dream, you’ll find someone who wants to stay. and if I live to see you thrive I’ll put this all to rest and wake and anyone who hears and cares should know I did this for your sake.
8.
Equinox 03:40
when I walk by the river you can come I’ll bring aloe for your skin burned by the sun. near the shallows we can talk and think when we reach deeper places we can swim. I hope it’s not a joke, it’s not a dream this thing I have with you makes me feel clean and I know, every minute, we’re still changing but I like what I’ve made you, what you’ve made me and the days are growing short, the night is long I’m ready to admit that I was wrong: when the night grows short to match the day I’ll see the best I can be in your face.
9.
a thousand flowers grow beneath the pomegranate tree - take their fallen petals when I sleep and cover me. I was never lonely with my forehead steeped in dreams and here I’ll liquefy till angels pour me out in streams. a thousand volts that burnt the hand of Hypersephone when she plucked the flower whose roots grew out of Hades dreams shoot out from her open eyes, her mouth red, ripe with screams and you’re the sound she made, and you’re the seed. a thousand lights that illumine two worlds, twin halves of me glowing from behind your ribs peer through the rungs in beams. myopic when I foundered then, but I worked hard to see and I’ll take in the sight until I have all that I need.
10.
The Empyrean 04:09
I lay down and buried myself hoping I’d be found like treasure but you have to want to dig for me: bare hands in earth for what might feel like forever. I can’t promise I’ll be worth it, all your tireless hours of work - I haven’t seen the sunlight now for years but when you touch my face you’ll see my eyes fill up with grateful tears.
11.

about

Before the release of her ambient LP, Plastichoir, in 2021 and the dark ethereal Republic of Paradise in 2020, Aphir had written another record much closer to her heart. Initially deeming Pomegranate Tree to be complete in 2019, she was poised to put the record out it in 2020, but the global pandemic set the release back as she opted to share songs that better reflected the sense of upheaval that she was feeling, along with the rest of the world, at that time.

Overhauled on Twitch livestreams across two years of lockdowns, the iteration of Pomegranate Tree you now hear represents three years of learning and reflection: the distillation of each song into its leanest and most evocative form.

Pomegranate Tree features production and songwriting that weaves between dreamscapes and the world we wake up to, as well as guest appearances from long-term collaborators Lack the Low, KAIAR, and Arrom.

Aphir says of the work: “for me these songs sit in this really unique and satisfying place of being the clearest realisation of what I set out to do when I started making music solo while still being fully connected to how my taste has developed and changed.”

credits

released October 5, 2022

Backing vocals on track 3 by Karla Gilbard (kaiarmusic.bandcamp.com) and Melissa Valence (arrom.bandcamp.com).

Violin on track 4 by Kat Hunter (lackthelow.bandcamp.com).

All tracks written, produced, performed, mixed and mastered by Becki Whitton.

Album artwork by Marcel Kohler (www.instagram.com/marcelkohlr).

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Aphir Melbourne, Australia

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